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Bidri - A touch of Midas

THIS art of silver inlay on metal has always kept historians guessing. Various accounts exist about its origin and entry into the country and subsequently Andhra Pradesh.

This traditional craft flourished in the Deccan region since the early 17th century. Named after the city of Bidar, the capital city of the Bahamani Sultans, the art form has long been known to connoisseurs of Indian art.

Salarjung Museum in Hyderabad has a few quality specimen from the 17th century which illustrate the technical skills of the craftsmen in producing the complex inlaid patterns.

Bidriware derives its beauty from the contrast created by the inlaid metal - gold, silver or brass - against the black background. The design is inlaid by hammering in strands of wire in engraved grooves in linear design or pieces of chiselled out pattern in metal are inserted in exactly cut surface and then hammered in. Later, a permanent black colour is imparted to the alloy surface by a chemical process, which leaves the inlaid designs brilliant and unaffected.

This craft once flourished with the patronage of the Nizams of Hyderabad.

Among the most popular designs of Bidri is phulzeri which is known for its intricate flower engravings. This design takes five days to be completed. Tarkeshi, Mehtabi, Phulpatti and Dala are some popular designs used by the artisans now.

Where to buy: The craft is practised in all parts of the old Hyderabad city. Lepakshi Handicrafts Emporium, Gunfoundry, Hyderabad; Kalanjali Arts and Crafts, Basheerbagh, Contemporary Arts & Crafts, Panjagutta; Cottage Industries Emporium, Minerva Complex, SD Road, Secunderabad.

Source: www.aptourism.com

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